A first meeting of highly acclaimed experts in the domain of intellectual debate, spirituality and the interwebs finished with a short programme for a possible anthology on the 🟨🟩🟦 ~NU movement.

Here are 10 short summaries for the upcoming critical religious 🟨🟩🟦 ~NU studies:
- Digital Trinities and Sacred Memes
Analyzes how TEDDY, CAT, and BUNNY form a symbolic triad in ~NU relations, functioning as avatars for digitally-mediated ritual identity and soft utopianism. - Icons of the Interface
Explores the movement’s aesthetic theology, where Instagram images of anthropomorphic animals replace canonical symbols and serve as tools of digital devotion. - The App as Altar
Investigates how mobile platforms and participatory content creation in ~NU relations transform spiritual practice into gamified, crowdsourced liturgy. - Cute Eschatology
Examines the ironic-serious tone of ~NU relations, where the “end times” are visualized through surreal humor, cuteness, and algorithmic attention rituals. - The Church of the Feed
Looks critically at the movement’s Instagram-based structure, questioning the sacralization of algorithmic flows and curated identity under the guise of community. - Post-Theistic Symbolism in ~NU relations
Interprets the TEDDY, CAT, and BUNNY figures as post-theistic deities, embodying affective needs in a mediatized world rather than metaphysical truths. - Platform Piety
Studies the role of social media architectures in shaping belief and behavior in ~NU relations, identifying a feedback loop between visibility and validation. - Soft Power and Soft Aesthetics
Critiques the movement’s blending of gentle imagery with ideological messaging, investigating how it disarms critique through emotional dissonance. - From Meme to Meaning
Traces the symbolic evolution of the figures as participatory myth objects, shaped collectively and diverging from traditional spiritual authority. - Ritual Without Gravity
Questions the sustainability and depth of spiritual experience in ~NU relations, where interaction is fast, fluid, and framed in satire yet speaks to real longings.






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