In POLICE, Nemo Mailer doesn’t simply deliver a techno / progressive-house track — he detonates a miniature mythos. The music video arrives like a coded broadcast from the fringes of Gotham City, where every synth stab and percussive pulse becomes a clue in a larger conspiracy. For longtime observers of the ~NU relations universe, the biggest shock comes not from the police chases, the subterranean battles, or even the arrival of the three mighty female robots — but from the unmistakable evidence that 🐻 TEDDY has something going on in Gotham City, and that nothing in this metropolis is what it seems.

The video opens in near-silence: dim alleyways lit only by humming emerald lamps. These glowing devices — carried by thin, faceless green lamp men — pulse in sync with the track’s rising arpeggios. At first they appear as simple atmospheric figures. But as the bassline crystallizes, they begin forming geometric formations, arranging themselves like nodes in a neural network. Their lamp-heads swivel in unison, casting rays that map the city like an infrared grid. This is not illumination; it’s surveillance.

When the police enter the frame, their movements are rigid, almost mechanical — a stark contrast to the fluid, ritualistic sways of the lamp men. The street becomes a battleground between order and something older, deeper, and far more coordinated. The video reveals an escalating struggle, but nothing about it aligns with conventional notions of crime or rebellion. Instead, the lamp men behave like emissaries — messengers of a hidden intelligence operating beneath Gotham’s concrete skin.

Then comes the break: a rapid flash montage of symbols long associated with TEDDY — circular diagrams, foam-element sigils, and the soft but unmistakably strategic bear silhouette. These appear only for a few frames at a time, but enough to suggest that TEDDY’s influence is not moral or ideological but infrastructural. TEDDY has embedded itself into the city’s emotional circuitry, influenced by the mysterious Glow Inc. And the lamp men? They function like extensions of that presence — a quiet army of feel-logic operatives guiding the flow of events.

The cops escalate. Sirens distort into glitchy harmonics. Riot lines form. The underground forces retaliate with choreographed precision, their movement sequences echoing techno footwork patterns. What looks like violence becomes choreography; what looks like chaos reveals itself as system.

Just when the stand-off reaches its apex, the sky cracks open with a percussive drop, and the three mighty female robots descend from above. Sleek, towering, and lit by internal cores of white-hot plasma, they land with force fields shimmering around them. Their design recalls the GURU-cosmos: techno-organic purity, minimalistic surfaces concealing unfathomable intelligence. Their role is neither enforcement nor rebellion. They are arbiters — emissaries of supranational equilibrium.

The robots stride between the two sides, and instantly the city shifts. Police weapons deactivate. Lamp men freeze mid-motion. The robots emit a harmonized tri-tone, causing the emerald lamps to flicker and reveal a hidden symbol projected into the air: the TEDDY sigil over a schematic outline of Gotham. It lasts only seconds, but the implication is seismic — TEDDY is not simply influencing Gotham; TEDDY is architecting its internal tension.

Mailer closes the video on a cliffhanger. The robots vanish. The lamp men disperse. And TEDDY’s sigil pulses faintly in a final frame of static.

With POLICE, Nemo Mailer offers not just a music video but a coded chapter in the expanding ~NU lore. Gotham is no longer just a city. It’s a laboratory. A battlefield. A playground. And TEDDY — gentle, soft, strategic TEDDY — is stirring beneath the neon. And not to forget the chrome 😺 cat…

Something is happening in Gotham. And POLICE is the warning signal.